T5+ is the new upgraded version of osee's most popular model T5 with a brand new daylight viewable 1000nits panel. Making it suitable for both studio and outdoor videography.
What's more, with a contrast ratio of 1000:1 and osee's LOG/HDR processing technology, HDR realtime monitoring is not a problem anymore. Users can shoot HDR format and the monitor will help transform it into a standard image to monitor right in the field.
*Please confirm your LOG/HDR settings before shooting videos (refer to QSG page 6, Video Assist Features >> LOG/HDR Workflow).
This monitor only weighs 175g without battery and has a size similar with your phone. With a plastic ABS polycarbonate shell and a built-in aluminum sheet, it is not only light but also quite sturdy as well. It also has two metal 1/4'' metal screw holes with anti-rotation pin holes, you can attach it on your camera, gimbal, cage... You can fit it into all kinds of setups without loose.
T5+ features the first generation of osee's MON OS, a convenient page style user interface that allows you to add up to 8 MySets, and up to 8 different image assist tools can be added in each MySet. When monitoring on location, users can switch between MySets to check different things at ease with simple toggles.
Osee's MON OS has a full package of upgraded video assisting tools which you can check in the Tech Specs tab.
* Factory has 3 MySets (frame, exposure, focus) preset, you can edit them to your preferences.
What's in the Box
The Standard Package Includes:
HDMI-Micro Cable(30cm), HDMI-mini Cable(30cm)
|Body||Polycarbonate ABS plastic (with aluminum sheet built-in)|
|Mounting Points||1/4”-20 anti-rotation screw mount, 1x bottom and 1x right|
|Battery Type||Sony NP-F/Canon LP-E6|
|Signal Input||HDMI 1.4|
|SD Card Slot||User LUT Upload&Firmware Upgrade (FAT32 format and under 16G size recommended)|
|Rotate/Mirror||Rotate (0, 180, auto), Mirror|
|Probe Location||Set this to let exposure tools analyze before or after User LUT|
|Aspect||9:16 (Phone), 4:5, 1:1, 4:3 (SD TV), 1.375:1 (Cinema), 16:9 (HD TV), 1.85:1 (Cinema), 2.37:1 (Cinema), custom(1:3 - 3:1)|
|Crosshatch||2x2, 3x3 ... 9x9|
|Anamorphic||1.33X, 1.4X, 1.5X, 1.6X, 1.8X, 1.9X, 2X with magnify function|
|False Color||Spectrum/Follow camera/Custom|
|Zebra||Custom tone 1 and tone 2|
|Waveform||Luma/RGB/Parade style, location, opacity&density adjustable|
|Histogram||Luma/RGB style, location, opacity&density adjustable|
|Vector Scope||Location, opacity&gain adjustable|
|Focus Assist||White, Red, Green, Blue，B&W background available|
|De-log||HLG, PQ, Arri, BMD, Canon, Fuji, JVC, Nikon, Panasonic, RED, Sony|
|User LUT||Up to 10 user LUTs can be uploaded, support LUT intensity adjustment|
|Audio Meter||Location&opacity adjustable|
|Multi-scopes||Waveform, histogram, vector scope and audio meter around scaled image|
I'm glad I went through Osee's website to order the T5+ No tax or shipping added to cost is an automatic win. The monitor arrived in under 24hrs via Amazon, I live in Atlant, so there must be a distributor nearby. The monitor is great, well build, bright screen (the reason I choose it over the portkeys) I don't mind the joystick because not a fan of grease marks on touchscreens. I went with Canon batteries and they last quite a while. HDMI cables are just long enough to have the monitor on a handle and reach a right side port on a Canon M50 mkii
Good quality monitor. I have an issue with the HDMI situation. In my opinion, the monitor should have a mini HDMI in and a mini HDMI loop through. That way, I could feed an external secondary monitor for the producer. The way it stands now, I have to feed the camera to a splitter and then feed the OSEE and the producer's external monitor. Not practical.
Enjoyed using this monitor, made an unboxing and first impressions video!
T5+ 5.5inch 1000nits 4K HDMI On-camera Monitor Kit