The multi view options are amazing but they took a step backwards with a few tools - mainly false color and the ease of turning a LUT on and off. If you just need the multi view get it. It’s great for that. For DP tools use a different one of their monitors.

I was skeptical at first. Upon turning on the screen, it was purple, but after warming up for the first time its fine. Colors look great, options in menu are great. One minor request is to match my megamon 15s contrast ratio there is the slightest dip but i dont think any one will notice

This is an excellent high bright monitor for directors who want to stay close to the camera and doesn’t want tent or 4x4 over on top of it. Its large screen and high bright make it extremely practical for on set monitoring. The new 22S4 supports multiple camera inputs, including vertical viewing, making it one of the most efficient and affordable options when working with two or more cameras.
It has proven capable of replacing much more expensive smallHD24” monitor in multi camera setups. Directors appreciate being able to step away from the main video village, stand right next to the camera operators, and still watch the action on a large display, rather than relying on smaller 7” monitors like the 703, which require constant toggling between cameras or setting up multiple units that can become awkward and bulky.
Overall, the monitor is very portable, sturdy, and clearly built with quality in mind.